At the risk of invoking the wrath of the Gods of Metal,

I am going to cite a reference to the Motley Crue biography of a few years ago, "The Dirt: Confessions of the World's Most Notorious Rock Band" (which, by the way, is a very fun read in general and has all kinds of salacious details

of what it's like to be in a "popular" heavy metal band). In it, I forget which band member it was, but it was probably Nikki Sixx as he was the most cogent and intelligent :genius: of the four, likened the music industry to a meat grinder. That it needs something to grind so it takes the bands and just "processes" them into something they weren't before. The pressure to be successful and sell millions of albums becomes too great and you lose sight of what it was you were making music for in the first place.
So, that being said, I'm not sure I would wish popularity on Mr. Townsend et. al. For example, look what's happening with SYL.
Alien 
was the most successful album so far. It looks to me, and I'm just some guy, that the pressure is beginning to build for SYL. When executives smell money they go looking for it. You know, a better term than "pressure" would be "heat." SYL are getting some heat now that
Alien has been successful. So, what happens? Dev and the rest are being sent back to the studio to record another album this Spring. So, if DTB is going to tour to support
Synchestra then it's going to have to be around SYL's schedule. Why? 'Cause that's where the money is right now.
Of course, if
Synchestra were to sell a buttload of copies, that might change the timetable a little. But, popularity may not be the most wonderful thing for The Dev. Instead, I wish him profitability, enough money to be comfortable, to buy what he wants and needs and deserves, and to keep on rocking out with his cock out.

Looping green and blue, and you will go letting yourself certainly the meal once again through the head. But after the departure, you feel free and happily like after your first orgasm - and you will beg for addition. - German review of SYL's "Alien"