Okay, so I really need to post a lot of different stuff here, because I do a lot of different stuff musically, but we'll start here because it's closest to and most inspired by DTB.
http://www.markscudder.com/hdf/idea9.mp3
I also wanted to post this because as I've been reading, people are talking about the best way to do certain things with computer recording and I think I got a couple of things right with this demo. Here's a breakdown of what's going on in this track:
Rhythm guitar part is tracked 3 times, two panned hard left and right with my favorite new PODxt program (basically a Mesa Rectifier and a particular 4x12, can't pull it up right now as I'm at work) - those are the two you really hear - and one panned center with a muddier preset with a little chorus, which is buried a little more just to give it thickness. Guitar is a Squier Stagemaster double-fat Strat with stock pickups and Elixir Acoustic strings on it (13-57 I think) tuned down 1.5 steps and then the lowest string tuned down another whole step for the open B-F#-B on the bottom.
Lead is an '05 OLP MM-1 with stock pickups running through a different POD preset (think a tube screamer driving a Matchless Chieftain with the amp gain turned to 11), the wah is built into the POD. The MM-1 is in standard tuning.
Bass is a '94 Ibanez SR506 recorded DI through the excellent excellent IK Multimedia Ampeg bass amp/cab modeller.
Synth is Spectrasonics Atmosphere (I don't like how this sounds particularly right now but otherwise Atmosphere is an amazing instrument), played through MIDI (Atmosphere is a VSTi plugin).
Drums are Toontrack's EZDrummer with the Drumkit From Hell add-on pack loaded, played (badly) with a MIDI controller.
There is pretty much no mastering on this, save for PSP MixSaturator on the drum track and then again on the output to give it that pushed, fuller tape-saturation sound. I've spent months trying to get certain tracks to sound half as right as this one and it's both painful and awesome when one comes together with almost no work like this did.
Tracked in Cakewalk SonarPE6 through an Echo Indigo io into my notebook.
So this is just a demo, threw this together in one evening last week, just to get the idea down, and if I listen to it enough I'll know where it goes from there . Thought you'd like to hear it and maybe it will give you some tips and tricks for your own recordings.
http://www.markscudder.com/hdf/idea9.mp3
I also wanted to post this because as I've been reading, people are talking about the best way to do certain things with computer recording and I think I got a couple of things right with this demo. Here's a breakdown of what's going on in this track:
Rhythm guitar part is tracked 3 times, two panned hard left and right with my favorite new PODxt program (basically a Mesa Rectifier and a particular 4x12, can't pull it up right now as I'm at work) - those are the two you really hear - and one panned center with a muddier preset with a little chorus, which is buried a little more just to give it thickness. Guitar is a Squier Stagemaster double-fat Strat with stock pickups and Elixir Acoustic strings on it (13-57 I think) tuned down 1.5 steps and then the lowest string tuned down another whole step for the open B-F#-B on the bottom.
Lead is an '05 OLP MM-1 with stock pickups running through a different POD preset (think a tube screamer driving a Matchless Chieftain with the amp gain turned to 11), the wah is built into the POD. The MM-1 is in standard tuning.
Bass is a '94 Ibanez SR506 recorded DI through the excellent excellent IK Multimedia Ampeg bass amp/cab modeller.
Synth is Spectrasonics Atmosphere (I don't like how this sounds particularly right now but otherwise Atmosphere is an amazing instrument), played through MIDI (Atmosphere is a VSTi plugin).
Drums are Toontrack's EZDrummer with the Drumkit From Hell add-on pack loaded, played (badly) with a MIDI controller.
There is pretty much no mastering on this, save for PSP MixSaturator on the drum track and then again on the output to give it that pushed, fuller tape-saturation sound. I've spent months trying to get certain tracks to sound half as right as this one and it's both painful and awesome when one comes together with almost no work like this did.
Tracked in Cakewalk SonarPE6 through an Echo Indigo io into my notebook.
So this is just a demo, threw this together in one evening last week, just to get the idea down, and if I listen to it enough I'll know where it goes from there . Thought you'd like to hear it and maybe it will give you some tips and tricks for your own recordings.